{"id":128,"date":"2017-01-26T08:59:41","date_gmt":"2017-01-26T08:59:41","guid":{"rendered":"http:\/\/disseny.recursos.uoc.edu\/recursos\/tipo\/?page_id=128"},"modified":"2021-07-19T11:58:20","modified_gmt":"2021-07-19T11:58:20","slug":"1-lletres-15","status":"publish","type":"page","link":"http:\/\/disseny.recursos.uoc.edu\/recursos\/tipo\/1-lletres-15\/","title":{"rendered":"1. Lletres"},"content":{"rendered":"<p><\/p>\n<h3><strong>1.7. Classificaci\u00f3 tipogr\u00e0fica<\/strong><\/h3>\n<h4><strong>1.7.3. Cal\u00b7ligr\u00e0fiques<\/strong><\/h4>\n<p>&nbsp;<\/p>\n<h4><strong>Incises\u00a0<\/strong>(ex. Copperplate Gothic, Perpetua i Trajan)<\/h4>\n<p>Trets basats en els car\u00e0cters tallats en pedra o metall. Modulaci\u00f3 mitjana en el tra\u00e7 i remats insinuats.<\/p>\n<div id=\"attachment_41\" style=\"width: 460px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-41\" loading=\"lazy\" class=\"img-responsive wp-image-41 size-full\" src=\"http:\/\/disseny.recursos.uoc.edu\/recursos\/tipo\/wp-content\/uploads\/sites\/18\/2017\/01\/1.7.1.10-incises.png\" alt=\"Figura 38. Incises\" width=\"450\" height=\"162\" srcset=\"http:\/\/disseny.recursos.uoc.edu\/recursos\/tipo\/wp-content\/uploads\/sites\/18\/2017\/01\/1.7.1.10-incises.png 450w, http:\/\/disseny.recursos.uoc.edu\/recursos\/tipo\/wp-content\/uploads\/sites\/18\/2017\/01\/1.7.1.10-incises-300x108.png 300w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><p id=\"caption-attachment-41\" class=\"wp-caption-text\">Figura 41. Tipografia Optima (1958), dissenyada per Herman Zapf per a D. Stempel A.G.<\/p><\/div>\n<p>&nbsp;<\/p>\n<h4><strong>D\u2019escriptura i manuals\u00a0<\/strong>(ex. Comic Sans, Edwardian i Mistral)<\/h4>\n<p>Imiten els tra\u00e7os manuals amb diferents eines. Poden tenir car\u00e0cters enlla\u00e7ats o solts.<\/p>\n<div id=\"attachment_797\" style=\"width: 460px\" class=\"wp-caption alignleft\"><img aria-describedby=\"caption-attachment-797\" loading=\"lazy\" class=\"img-responsive wp-image-797\" src=\"http:\/\/disseny.recursos.uoc.edu\/recursos\/tipo\/wp-content\/uploads\/sites\/18\/2021\/07\/1.7.3.11-bergona.jpg\" alt=\"\" width=\"450\" height=\"140\" srcset=\"http:\/\/disseny.recursos.uoc.edu\/recursos\/tipo\/wp-content\/uploads\/sites\/18\/2021\/07\/1.7.3.11-bergona.jpg 840w, http:\/\/disseny.recursos.uoc.edu\/recursos\/tipo\/wp-content\/uploads\/sites\/18\/2021\/07\/1.7.3.11-bergona-300x94.jpg 300w, http:\/\/disseny.recursos.uoc.edu\/recursos\/tipo\/wp-content\/uploads\/sites\/18\/2021\/07\/1.7.3.11-bergona-768x240.jpg 768w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><p id=\"caption-attachment-797\" class=\"wp-caption-text\">Figura 42. Tipografia FF Tartine (2002), dissenyada per Xavier Dupr\u00e9 i Panos Haratzopoulos i publicada per FontFont<\/p><\/div>\n<p>&nbsp;<\/p>\n<h4><strong>Fractures\u00a0<\/strong>(ex. Brokenscript, Fraktur i Old English Text)<\/h4>\n<p>Estructura densa i negre molt marcat en la p\u00e0gina, on destaquen les l\u00ednies verticals i les terminacions punxegudes i anguloses.<\/p>\n<div id=\"attachment_798\" style=\"width: 460px\" class=\"wp-caption alignleft\"><img aria-describedby=\"caption-attachment-798\" loading=\"lazy\" class=\"img-responsive wp-image-798\" src=\"http:\/\/disseny.recursos.uoc.edu\/recursos\/tipo\/wp-content\/uploads\/sites\/18\/2021\/07\/1.7.3.12-bergona.jpg\" alt=\"\" width=\"450\" height=\"116\" srcset=\"http:\/\/disseny.recursos.uoc.edu\/recursos\/tipo\/wp-content\/uploads\/sites\/18\/2021\/07\/1.7.3.12-bergona.jpg 840w, http:\/\/disseny.recursos.uoc.edu\/recursos\/tipo\/wp-content\/uploads\/sites\/18\/2021\/07\/1.7.3.12-bergona-300x77.jpg 300w, http:\/\/disseny.recursos.uoc.edu\/recursos\/tipo\/wp-content\/uploads\/sites\/18\/2021\/07\/1.7.3.12-bergona-768x197.jpg 768w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><p id=\"caption-attachment-798\" class=\"wp-caption-text\">Figura 43. Tipografia FF Brokenscript (1991), dissenyada per Just van Rossum i publicada per FontFont<\/p><\/div>\n<p>&nbsp;<\/p>\n<h4><strong>Conclusions<\/strong><\/h4>\n<p>Dintre de les cal\u00b7ligr\u00e0fiques trobem les incises, les d\u2019escriptura i manuals i les fractures.<\/p>","protected":false},"excerpt":{"rendered":"<p>1.7. Classificaci\u00f3 tipogr\u00e0fica 1.7.3. Cal\u00b7ligr\u00e0fiques &nbsp; Incises\u00a0(ex. Copperplate Gothic, Perpetua i Trajan) Trets basats en els car\u00e0cters tallats en pedra o metall. Modulaci\u00f3 mitjana en el tra\u00e7 i remats insinuats. &nbsp; D\u2019escriptura i manuals\u00a0(ex. Comic Sans, Edwardian i Mistral) Imiten els tra\u00e7os manuals amb diferents eines. Poden tenir car\u00e0cters enlla\u00e7ats o solts. &nbsp; Fractures\u00a0(ex. Brokenscript, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"acf":[],"_links":{"self":[{"href":"http:\/\/disseny.recursos.uoc.edu\/recursos\/tipo\/wp-json\/wp\/v2\/pages\/128"}],"collection":[{"href":"http:\/\/disseny.recursos.uoc.edu\/recursos\/tipo\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/disseny.recursos.uoc.edu\/recursos\/tipo\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/disseny.recursos.uoc.edu\/recursos\/tipo\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/disseny.recursos.uoc.edu\/recursos\/tipo\/wp-json\/wp\/v2\/comments?post=128"}],"version-history":[{"count":13,"href":"http:\/\/disseny.recursos.uoc.edu\/recursos\/tipo\/wp-json\/wp\/v2\/pages\/128\/revisions"}],"predecessor-version":[{"id":892,"href":"http:\/\/disseny.recursos.uoc.edu\/recursos\/tipo\/wp-json\/wp\/v2\/pages\/128\/revisions\/892"}],"wp:attachment":[{"href":"http:\/\/disseny.recursos.uoc.edu\/recursos\/tipo\/wp-json\/wp\/v2\/media?parent=128"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}